Lives in Chicago, may or may not be dead. Was a student of Boulanger and turned out quasi-Stravinsky/Hindemith/atonal-Copland music until about 1980. In the eighties messed around with equal-tempered scales having more than 12 notes, most recently has been writing in pre-1925 idioms -- a symphony that sounds like Sibelius mixed with Szymanowski, a Rachmaninoffian Piano Sonata, and a string quartet like Verdi's are the most notable. Taught for many years at the University of Chicago. Records with the Chicago-based Cedille label.
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