THIS IS A READ-ONLY ARCHIVE FROM THE SORABJI.COM MESSAGE BOARDS (1995-2016). |
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Really demonstrated the futility of war ad didn't fal into the trap of stereotyping the opponent as inhuman or being the "bad guy".In fact, I think it's one of the only war movies I've seen where the Japanese are actually portrayed as human! The contrasting shots between the beauty of the island with the hell that was going on made a far more effective rendering of the environment of the soldiers than SPR. I liked the voice-overs and glimpses into the soldiers' thoughts, as well as the shift of perspective away from teh Americans to the Japanese during the scene right after the bunker was taken. Pretty damn impressive, and Malick was screwed by the Oscars. |
You are the only other person I know of besides my mother who even LIKE the movie. Most people I've talked to thought is was so boring and artsy and pretentious. Screw them. It's one of the best movies I've ever seen. I saw it 4 times. Unfortunately, I saw it last in January, so I can't really remember all the things I was so taken with. By. Whatever. I credit this movie with completely changing the way I thought about men. I really don't know what exact feature of the movie revealed this to me, but leaving the theater I saw that men and women really are the same inside. Fundamentally, there is no difference. Even more, it showed so clearly that no one loves war...from the privates to the generals, it is painful for everyone involved. And yet men continue to be involved, despite that fact, which is so interesting to me. The movie showed so well that no one wanted to be there, and yet they were all there. I'm not explaining it right, I think. There's more to it than this, but I can't get the words out. THen, another great thing was the love between all the men. Between fellow soldiers and between the enemies. And no one was evil. The Japanese were exactly like the Americans: scared. Not evil, inhuman, lunatic kamikazes, as other movies portray them. Even that US soldier who pulled out his enemies' teeth was not a one-dimensional sadistic character -- you saw how he suffered for his acts. Plus, the "good" characters (like Witt) also killed and did "bad" things. So, right, no stereotypes! Brilliant! I'm not saying the right things. The movie is, to me, something spiritual and super-natural. It's not like anything else, and when you see it, it does something to your insides. I wish I could explain it better. You know what I'm talking about, right? |
Rhiannon, we REALLY have to hang out when I come to Philly. |
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I LOVED THIS. For some of the reasons you two mention above. What struck me the most was indeed the futilty of the mountain. When they finally reached the top, you expected the film to end. But it didn't. It put them right back where they were. This was no typical war flic. The sounds were amazing, as were the voice overs, the day dreaming.... the editing was brilliant. I have not seen any of the other films this director has made, but I have been told, they are similar in nature, that is, you start out with something beautiful and innocent, someone paints it ugly, throws rocks at it, shits on it, whatever, and you are left with something that still has beauty. the main character, to me exemplified this. And i agree Rhi, the human element could not have been better portrayed. The scene when they storm the village at the top of the hill, put my wife and tears, and put me damn close. As far as war films goes, this one rates up next to Apocalypse Now.......unfucking believeable.....it's no longer about how glorious war is, but rather how fucked up the people who come out of it are, how we take a human soul and put it through the fucking ringer, and for what....like they stated in Thin Red Line, a piece of property....... i'm 100% draft dodger, should the call ever come |
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Just kidding. |
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The thing about SPR for me, every time i see it, i like it less. I now consider it to be pretty mediocre. Strip away the ultra realism in the combat scenes, and you have just another movie about WWII. The Thin Red Line made me think hard about war. SPR just made me glad i never had to fight in one, and impressed with the guts folks have while fighting in war. But as far as any type of deep contact with something I felt was real about the human condition, it's The Thin red line all the way. |
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In SPR, you had the stock character of the scared little new guy who stumbles a few times but manages to pull himself together by the end to kill the nasty Nazi bastard like the good American he is. In the Thin Red Line, they were all scared. And some pulled themselves together and a few fell apart, like real people do in real wars. Real people are not stereotypes. And the men they fought were also real. Not the stereotype Japanese soldiers (the stereotype being inhuman, unfeeling, rat-like, barbaric...a stereotype that continued into the Vietnam War...read "Achilles in Vietnam" by Jonathan Shay for more details). And also, there were no cheap ploys for emotion. I remember the scene in Saving Private Ryan where all the men are on a hill and Tom Hanks is telling them how he's just a simple school teacher, and the music is swelling gloriously behind him. Was that necessary? No, it was lo.com.denom. stuff. I don't need to be told when to emote, thanks. That's why TRL was so good. Even Witt's death at the end was handled simply and clearly and without the otherwise-ever-present tugs on the heartstrings. And it was art. It was beautiful. It was like a sculpture. Every scene, every shot....full of myth and symbolism, too (do you know how much conversation that alligator generated among these parts? And *nobody came up with the same answer*...what I consider a mark of genius: the movie left room for the viewer in its message.) It *allowed* us to reach our own conclusions. It gave us that honor. Beat that, Saving Private Ryan. |
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It's a narrative. Its job is to present a point of view, in most cases in war movies, that of the soldiers and civilians on one side. And when you're fighting a war, that's necessarily your view of the enemy: unhuman, inhumane, something to be wiped out before it erases your existence. Humans don't easily kill other human beings in normal circumstances. There is a need to demonize the other, which isn't really hard to do when he's trying to kill you and yours. The first step towards war is to dehumanize the other while rallying your own group against a threat from the subhumans. Milosevic started this in June of 1989 with his infamous speech in Kosovo whipping up Serb resentment. Soon, each side has derogatory names for the other: Cetnik, Turk, Ustase. If you're in the jungles of Burma being hunted down by Japanese troops who have been torturing and slaughtering your fellow countrymen, you don't survive by saying, "Hmmm, these guys are human beings just like myself, with the same aspirations, hopes, and dreams. I'm sure they have parents and siblings and families who love them. Why can't we all just get along?" If you're trying to bond and connect with the other guy with a gun, you'll never pull the trigger; but he will. In other words, most movies, unless they're specifically trying to do something different with multiple points of view, present the enemy as rather two-dimensional cardboard figures, because that's realistically how they were viewed, as Japs or Krauts or gooks, i.e., foreign and inimicable to me and my platoon buddies and our way of life. In peacetime, these thing melt away for the most part. No one here can imagine the depth of the national shock and hatred resulting from the surprise attack on Pearl Harbor. It's almost unbelievable, if you think of it, how quickly Japan became a normal trading partner and ally, after the brutal war between us, from Pearl Harbor to Nagasaki. Damn, I'm argumentative lately. For some reason, I've been reliving my time in the Yugoslav civil war quite a bit lately, perhaps because I just saw my close friend and former bodyguard over New Years for the first time in five years, and we naturally talked late into the night about Bosnia. Maybe this is why military topics are setting me off. Whatever, I've got to get out more, before I become that guy who posts the long boring rants. |
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The difference about Thin Red Line was not necessarily the POV of us OR them. It was a statement about war itself. Portraying the Amercian side simply gave us a something to grasp a little easier, being Americans and all. I understand the need to demonize from a soldiers point of view, but this movie didn't have the POV on particular soldier. Giving the enemy a human face and emotion further drove home the point of the movie. |
I was a naval officer in the mid-80's. I got out. In the mid-90's, I spent about two and a half years in the former Yugoslavia during the height of the war, first as the Deputy Chief in charge of Bosnia, United Nations Fire and Emergency Medical Services, in which capacity I had a couple of Scottish former SAS guys as close protection, though I usually just had them do something more useful. I lived in Sarajevo, a great town. I ran the only ambulance service in the city, distributed aid through the country, and fought fires on all three sides. We usually got the frontline, minefield stuff that no one else would or could do. Business was booming (so to speak). There were also a lot of public works and utility jobs that fell to us by default, since the locals and the UN in general vied to see who could be more mindlessly bureaucratic, corrupt, and inept. Fuck the French. After that, I ran worldwide distribution for a German medical humanitarian organization, which at that time was focused mostly on the former Yugoslavia. I lived in Munich, but travelled monthly to Croatia, central Bosnia and Serbia. My life is rather dull now. |
I have scene many a photo essays on that whole conflict. it's very surreal. The nature of the war to me never seemed to be about troops and razor wire and front lines and trenches and what not, But more about who could utilize minimal resources better, or who ever had the better perch to snipe from. |
The other war conducted simultaneously was the war against civilians. It was fought by terror, using snipers, mortars, mass rapes, concentration camps, and atrocities. This was mostly the world we lived in. We were in a combat situation 24 hours a day. We were living in Sarajevo, for fuck's sake. The whole city was a killing ground. My fire station was 200 meters from the front line. Like everyone else, we were targets at any time, particularly of smipers. When engaged in an operation, we were more often than not targeted specifically, by sniper fire, mortars, or antiaircraft guns. This is why in Sarajevo, it was safer to be in a burning building than outside of it, while fighting the fire. The part of my service of which I am most proud is that I got all my people back alive and unscathed. Except for a bad sniper incident at the Holiday Inn, when the aforementioned bodyguard got hit by fragments of a bullet while rescuing one of my firefighters trapped under the engine, but that was his job, so it doesn't count. I and my two bodyguards were the only people in the UN who carried both forms of ID: UNPROFOR (the blue helmet military) and UNHCR (High Commissioner for Refugess). We were therefore armed humanitarians. When efficacious, we did shoot back. We had a better arsenal than any firehouse I've ever seen. SAS is the British Special Air Service, bad mofos. We have no equivalent; the Green Berets are punks. The SBS (Special Boat Squadrons) are their equivalent of our SEALs, but not as good. One of my guys decided that SAS service in Northern Ireland was interesting enough, so he enlisted for five and a half years in the French Foreign Legion before coming to work for me. |
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The Israelis are second to none, due to lots of experience and the life or death need to be. Necessity is a mother. But if I'm in a tight place, I want the Brits. There was a Russian battalion stationed on the Serb side, and I got to know them by polishing off my rusty Russian. They invited me to a dinner one time that included a Spetsnaz demonstration which was quite impressive. (Spetsnaz is from the Russian for "special purpose", and is their formerly kickass bad boys. See Viktor Suvorov, The Liberators and Inside the Aquarium for a very readable first person account which you'll never forget.) I got my BA in Soviet and East European Studies with an emphasis on political, military, and intelligence affairs, and I thought if I ever saw Spetsnaz in action, it would be in the Fulda Gap and would likely be one of the last things I ever saw. I also flew regularly on Ilyushin-76s between Zag and Jevo. Pretty weird for an old cold warrior. I'm obviously getting little enough work done today. But we just got hit by a large snowstorm, so the entire area's shut down anyway. |
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For instance, a seven year old boy near where I was standing being interviewed by NBC News was shot in the head by a sniper. There happened to be journalists everywhere around the museum at that moment, and the picture of the dead kid lying on the ground with a pool of blood flowing from his head while my deputy and another of my firefighter/medics (a Canadian, incidentally) reacting nearby went all around the world provoking passionate editorials, inspired a documentary, and got me a live interview on Sky-TV in Europe. But that sort of thing happened several times a day, every day, without the world's notice. The only difference: journos were around since it had been relatively quiet and safe lately in the city, and it was a slow news day. The "military war" happened similarly to WW I (obligatory litery recommendation: The Guns of August by Barbara Tuchman) in that initially it was a dynamic grab for territory, but when the armies crashed up against each other, they just tumbled down into the trenches for the bloody duration and hammered away at each other. |
but at the same time it was more like a virtual reality thing because my body movements translated to the thing that i was. (this is sounding stupid) anyway, the point is that i had to kill these people that showed up because thay were going to kill me. but i had to get close to them (i didn't have weapons, just my arms, teeth, whatever) and i could see their faces. i couldn't do it (kill them). i started feeling sick and then i woke up. |
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He said, "yeah, well, you don't like the MC5!" "We're talking about art here, drooler. Do you mind staying on topic?" "The MC5 were art!" God help us. |
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MC5 were not art.....just a decent rock band. you should have flogged him rhi. |
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J, did you offer to kick him in the stomach? |
(wick-wick-wick... WACK.) that band "at the drive in" reminds me of MC5. but that's probably strictly superficial. white guys with afros and james brown shake-shake-shake-it-baby! hip grind. neo-elvis stage gimmicks with some "JUMP BACK! KISS MUHSELF!" an' shit. emo-politico-simpatico blah-blah-blah in my motherfucking pants. anyway. i haven't listened to either band enough to make any judgements. it's too bad markus isn't here anymore. my brother just started working for the U.N. in sarajevo about a month and a half ago. he could use a head's up on where to run when the shit hits the fan. or where to drink heavily when things start falling apart. or a few good reasons why new york city is a better third world country to work in than either haiti or bosnia. too bad about markus, though. he was probably the most interesting person this blatherhole has ever seen. |
Stooges totally rocked more....and the Stooges broke ground in the way of punk rock . Stooges were artists by accident I think. |
Patrick, you are correct. I'm bored. Somebody amuse me. |
Take the lead and fill the void. Still bored. This morning I was writing pages of emails to people. Now I'm semi-comatose. Help. |
that's what all the girls say. |
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But I just got a raise! My boss likes me. And how do I pay him back? By talking to you guys on company time. That's ingratitude for you. Bye. |
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It is wicked. And, I read a lot of military history. |
As long as everyone's posting war books, Andersonville, by MacKinley Kantor -- great civil war novel. |
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I like Michael Shaara's "The Killer Angels" the best of all war fiction I've read. You get lines like, "his head felt vacant, like a room in which there has been a butchering" on every other page. Nonfiction favorite is probably "Campaigning with Grant" by Horace Porter, one of Grant's aides. Really detailed study of Grant's character and actions. John Bowers' "Chickamauga and Chattanooga : The Battles That Doomed the Confederacy" isn't very well-written, but it's very entertaining. Then there's a biography of Nathan Bedford Forrest I read and liked, but I can't remember what it's called. "That Devil Forrest"? Dougie: Yes, I went out to dinner on my new paycheck, but I didn't blow it all....I'm thinking of going clothes shopping tomorrow though... |
The Civil War has always been a fascination for me. unfortunately the west coast has no reminents of such history. |
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Rt. 270 turns into Rt. 15 in Frederick. Rt. 15 takes you to Gettysburg. So I went. I had forgotten how much I love it there. The terrain is absolutely gorgeous -- hilly fields, low mountains covered with trees, glacial boulders in Devil's Den. It's incredibly peaceful, and you feel like you're in a church when you're there -- Lincoln was accurate when he called it hallowed ground. At this time of year, there are very few visitors, and I enjoyed tramping about in the woods by myself. I felt perfectly safe. Every time I go there, I am newly astonished at how eager the other visitors are to talk to you. It's a really neat place. And I found it's only about an hour and a half away. I think I'll go again soon. |
Looking to be used in FREDRICK Maryland 11/6/00 6am. Will be in the Fredrick Maryland area this morning at 6am. Looking for any truckers who would like to use me. Total bottom! Any takers...... I'll be on Channel 24 ask for "shadow" In FREDRICK, Maryland, some children are surprised to see two Santa Clauses – one wearing stars and stripes, and another in a Confederate uniform. Civil War lore has it that when Thomas J. Jackson's redoubtable veterans marched southward through FREDRICK, Maryland on Saturday September 6, 1862, an elderly woman named Barbara Fritchie defiantly waved a Union flag at "Stonewall" and exclaimed: "Shoot if you must this old gray head, but spare your country's flag." Stephanie Serna. FREDRICK, Maryland. It has been reported that this "Devil woman", has falsely accused at least two men of rape. One of them being a college student from Canada; Who was forced to leave his university, (Gannon University, Penn.) even though he had not been convicted of a crime. George Linwood Cottier was born on Oct 10, 1911 in New Orleans, Louisiana. He went to a school for the retarded at FREDRICK, Maryland.He was taught a trade in shoe making, although He never worked at it.George was a good, kind, gentle person. Shortly before she met her tragic end by impalement when a chair rung she was tuning slipped from place under terrific pressure, Mrs Petranick informed us that John had the knowledge to operate recording equipment and that he was a hypnotist. Evidently, he would go to Fonotone with Blind Joe Death and Blind Thomas. The next morning the a & R man would awaken with a slight headache and a stack of unidentified masters. All Fonotone recordings are made at 78 rpm (that's the big brittle record with the small hole) and all were recorded in FREDRICK Maryland unless otherwise stated. The Western Maryland Swingers Association. Weekend hotel parties for couples only, held in major area cities such as FREDRICK, MD. Select single females may attend on a case-by-case basis. Entrance fee includes mini-bar, finger foods and condoms. |
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perhaps in protest of anything intersting said here as of late.. maybe..... |
fredrick maryland dorian fuck texas moravia sorabji on that last one, I found a web page of yours, pez. in terms of time wasters, it's more fun than "civilization," the eight-year-old video game I'd been playing too much. each time I've constructed one of those posts, I've always been so excited to find there are authentic people doing authentic things out there. |
Interesting article on Blind Thomas in this week's Washington City Paper Blind Thomas was really a twenty-something, white, college boy who made himself into a blues musician and pressed his own records on a machine in his basement back in the '50s. |